OASIS – ULTIMATE WEMBLEY STADIUM 2025 5TH NIGHT: BIBLICAL PERFORMANCES & RECORDINGS (3 CD)

Description

Remaster & Remix of Stereo Audience Recording for Each Artist
Wembley Stadium, London, England 3rd August 2025 ULTIMATE SOUND(from Original Masters)
★UPGRADE!!!
★A historic title that has evolved beyond recognition is born!

☆The Oasis reunion tour “LIVE ’25” sold out before even arriving in Japan. This exclusive, top-notch live recording from London’s sacred Wembley Stadium, the UK’s home ground, is not just a reissue, but a completely different, ultimate, evolved edition, mastered and remixed from scratch, including the opening act! Some people may find it hard to believe this is an audience recording. Whether you own last year’s DEFINITIVE edition or don’t yet own the recording from this performance, you’ll be impressed with this must-have quality. The atmosphere of the 90,000-person gathering and the band sound are all significantly more powerful than previous releases. The moment you play this soundboard-quality title, close your eyes and you’ll be transported to Wembley Stadium. Don’t miss out on this title, which will leave its mark on the history of Oasis live recordings!

The eponymous “DEFINITIVE WEMBLEY STADIUM 2025 FINAL NIGHT: LEGENDARY GIG & RECORDING” album, which became one of the two major landmarks alongside “TOKYO DOME 2025 2DAYS COMPLETE” from the “LIVE ’25” reunion tour, was a social phenomenon last year. The title of this album, which was released in 2019, is a recording of the final performance of the five-day Wembley Stadium concert held at Wembley Stadium from late July to early August, including the opening act. It was a huge bestseller, selling out before the Japan tour. The album has received rave reviews from overseas fans, who say, “The sounds are incredible. The crowd sounds pretty distant, and the vocals and guitars are huge. The instrument mix is ​​great for an audience recording, and you can even hear Joey’s stick counting in the songs. Definitely (not just maybe) the best-sounding audience recording of the UK leg of the Live 25 tour.”

However, it would be counterproductive if such a great recording were to disappear from the market. After all, it is such a high-quality audience recording. After the Tokyo Dome concert, the reputation of “DEFINITIVE WEMBLEY STADIUM 2025 FINAL NIGHT” only grew with voices saying, “I want to hear the great performance of the home performance with the best sound!” This is a great recording that has no choice but to be reissued… but I thought that a simple reissue would be meaningless.

Let’s take a moment to clarify the situation regarding the August 3rd recording. In addition to the ultra-high-quality audience recording exclusively released by our store, there are currently two other recordings released by other labels. The first is an IEM recording released by Empress Valley at the end of August last year (although the ALD recording theory is strong from the sound image perspective, we will refer to it as an IEM recording for now). The second is an IEM recording released by the Bayswater label at the end of last year, claiming to use “two types of IEM recordings per day.” However, both of these titles had major problems.

First of all, regarding the former sound source, although the vivid performance sound derived from the IEM sound source was a key point, the nature of the sound source meant that there was no sense of realism. It ended up sounding like a studio rehearsal, not like a passionate performance at Wembley Stadium with approximately 90,000 people gathered and singing along. Even in the quiet parts between songs, the audience’s reactions were barely audible, making the MC sound like a flop. There was a problem with whether this could be enjoyed as a live sound source. In addition, of course, there was noticeable reception noise.

The latter sound source posed an even bigger challenge: although it was advertised as “achieving noiseless performance by combining two types of IEM sound sources per day,” analysis of the waveforms revealed that one of the two sources used was from August 2, not the actual performance on August 3, suggesting that it was a fake edit using an IEM sound source from a different performance. Furthermore, while the IEM sound source was originally lacking in realism, attempts to force singalongs into songs where they wanted to highlight them resulted in significant changes to the mix and sound quality of some of those songs.

Paradoxically, without copying other labels’ IEM sound sources, if we could thoroughly review our own high-quality audience recording at “DEFINITIVE WEMBLEY STADIUM 2025 FINAL NIGHT” from the master sound source, and get closer to the vivid performance that is the strength of IEM sound sources, while also achieving the overwhelming sense of realism that is its original strength, wouldn’t that be an amazing sound source?! This is an approach that is only possible in 2026.

So, with this release, the project has been upgraded to a new version. Is it possible to surpass the high-quality recording experienced on the sold-out DEFINITIVE edition? As if to answer the voices of enthusiasts, this release goes beyond a simple reissue and is a soulful one!

It’s been six months since “DEFINITIVE WEMBLEY STADIUM 2025 FINAL NIGHT” was released last summer, and with the latest AI technology advancing day by day, we’ve thoroughly reworked the original high-quality audience master audio from scratch. Using the latest AI model, we decomposed the audio into 13 tracks (6 drum parts, acoustic guitar, electric guitar, bass, piano, vocals, and other audience noise), remastered each track individually, and then carefully remixed them.

The result is a huge evolution from the DEFINITIVE edition, so obvious that it can be heard at a glance! The performance has expanded, yet has evolved into a balance that moves even further forward, so even though the original master source is a common and single-source (which is truly surprising) audience recording, it has been upgraded to the point that it sounds like a “soundboard” at first glance. It’s surprising that the previous DEFINITIVE edition, which was a best-seller before this finish, sounds like just an “audience recording with excellent sound quality.”

And most importantly, Liam’s singing voice is closer and clearer, while the 90,000 people singing along with him are even closer. Since increasing the audience noise component usually tends to mask the performance and vocals, it’s a remarkable feat to have successfully brought Liam’s vocals and the audience’s atmosphere to the forefront without any contradiction. It’s so reborn that it’s easy to mistake it for a new audience recording from a different source. For example, the evolution from the previous album is immediately apparent in “Acquiesce,” early in the live performance, with Noel’s guitar playing close to home from the intro. When Liam begins singing, you’ll be overwhelmed by the soundboard-like image. Joey’s drums are also significantly clearer than last time, making his delicate playing even easier to hear. And behind Noel’s passionate chorus, the audience singalong sounds like a wave of finely granular grain!

This thorough remastering and remixing process not only covers the main Oasis performance, but also the opening acts, Cast and Richard Ashcroft. Both acts were remastered and remixed from the master recordings, broken down into 12 tracks. The first act, the performance, began before the stadium was filled with audience members, so the sound image was a little blurry (though still of very high quality), making it the most audience-like recording of the day. However, this remastering and remixing has dramatically changed the sound image compared to the previous recording. Finally, you can enjoy the performance with a sound that rivals the main Oasis performance!

Meanwhile, Richard Ashcroft has reborn the album with a robust overall sound quality, eliminating the low drums that were a weakness in the previous album. And yet, even in the finale, “Bitter Sweet Symphony,” where Richard’s passionate singing intertwines with the audience chorus, the album consistently recreates the excitement with a richer spread than the previous album, to the point that listening with headphones gives you goosebumps. The sound image and excitement are so intense that you might even be fooled into thinking, “Is this really Richard’s solo performance?”

The shocking “DEFINITIVE WEMBLEY STADIUM 2025 FINAL NIGHT” has undergone a stunning evolution into this ultimate album. The previous edition is so well-crafted that it can be enjoyed as a completely different mix. For this release, the jacket design features various graphics that were actually projected onto the screens during Oasis’ “LIVE ’25” tour (many of you may have seen them live). Plus, as a bonus, it even comes with a replica of the “souvenir ticket” (memorial ticket) given exclusively to those who saw the Wembley Stadium concert in the VIP seats, making it an upgraded item! To experience the ultimate sound of the sacred Wembley Stadium in the home country, this is the album you need! A must-have!

Disc1 (60:06)
1. Neil Young – Rockin’ In The Free World (Tape)
2. This Is Not A Drill
3. Fuckin’ In The Bushes
4. Hello
5. Acquiesce
6. Morning Glory
7. Some Might Say
8. Bring It On Down
9. Cigarettes & Alcohol
10. Fade Away
11. Supersonic
12. Roll With It
13. Talk Tonight
14. Half The World Away
15. Little By Little

Disc2 (67:12)
1. D’You Know What I Mean?
2. Stand By Me
3. Cast No Shadow
4. Slide Away
5. Whatever
6. Live Forever
7. Rock ‘n’ Roll Star
8. Band Introductions
9. The Masterplan
10. Don’t Look Back In Anger
11. Wonderwall
12. Champagne Supernova

Disc3 (79:59)
Support Acts
Cast
01. Introduction
02. Free Me
03. Sandstorm
04. Finetime
05. Live The Dream
06. Walkaway
07. Poison Vine (with special guest vocal, P.P. Arnold)
08. Alright

Richard Ashcroft
09. Lover (Tape)
10. Weeping Willow
11. Space And Time
12. Break The Night With Colour
13. The Drugs Don’t Work
14. Lucky Man
15. Sonnet
16. Bitter Sweet Symphony